I know studios need to make their tentpoles that sustain them, and they take incredibly safe bets making relatively benign or saccarin films that get the ticket sales, but don’t move film or cinema forward (more…)
I know studios need to make their tentpoles that sustain them, and they take incredibly safe bets making relatively benign or saccarin films that get the ticket sales, but don’t move film or cinema forward (more…)